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Maria review – Angelina Jolie’s Callas commands the screen as a great diva in decline
Pablo Larraín’s strange and mordant drama portrays Callas’s haughty struggle as her voice begins to fail but her stardom remains undimmedAngelina Jolie declaims an imperious performance as opera star Maria Callas in this strange, sad, mordantly witty film from screenwriter Steven Knight and director Pablo Larraín, showing her declining months in Paris in 1977; the lioness in winter succumbing with ecstatic defiance to illness and loneliness. Maria broods over her “medication” and neglects to eat, and she is impossibly difficult with the servants, housekeeper Bruna (Alba Rohrwacher) and valet Ferruccio (Pierfrancesco Favino), who are the aghast witnesses to her decline – and she is beginning to relinquish the idea that she will ever sing again. The whole thing is interspersed with pharma-fuelled hallucination-flashbacks to the days of her celebrity pomp, but also further back to her traumatised girlhood in Nazi-occupied Greece.This film has had a mixed, sometimes frosty reception; I ...
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